Exhibition

Holding Form - A solo exhibition by Ben Wakeling

We are pleased to present Holding Form, a solo exhibition by Hackney-based artist Ben Wakeling. The exhibition will showcase a vibrant body of new paintings and works on paper.

Shaped by his work as an art facilitator within NHS mental health services, Wakeling’s practice reflects a close engagement with vulnerability, care and the fragile structures that hold human experience together. These concerns occasionally surface within the paintings themselves, but more often inform the atmosphere in which the work develops.

Looking at Wakeling’s work is a two-fold act. First comes the shock of the image: clashing figures, fractured bodies, and dense layers of colour pressing against the surface. Then comes a slower moment of deciphering, of navigation. A hand or foot might offer a point of orientation from which clusters of bodies begin to separate – individual from individual or, as Wakeling’s titles sometimes suggest, self from self – hovering at the edge of legibility.

Wakeling approaches painting as a space of negotiation rather than resolution. Images surface gradually through layering and revision, with figures emerging briefly before dissolving back into the surrounding field of paint.

This sense of instability is central to his practice. Built through a dual approach that combines hesitant marks with more forceful gestures, the paintings remain open and provisional. Within this process, painting becomes a way of holding fragile states together. Just as care requires patience and sustained attention, Wakeling’s paintings hold form only temporarily, allowing images to remain unsettled and alive within the surface. In this sense, the act of painting becomes both a search and a form of care – an attempt to hold something together, if only for a moment.

 

 

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Bio

James Green (British, b. 1989)

James Green is a British contemporary painter whose work explores the relationship between abstraction, figuration, and material process. Working within a field of expressive contemporary painting, his practice occupies a space where form emerges through decision-making rather than representational intent. Gestural marks, vibrant colour, and physical surface activity combine to create paintings that feel immediate, direct, and materially present.

Green’s practice is rooted in intuitive mark-making and sustained engagement with materials. He frequently works on unstretched canvas, allowing raw edges, scraped paint, and layered surfaces to remain visible as part of the finished work. These elements function as a record of the painting’s development, foregrounding process and presence over polish or resolution.

Although driven by instinct, Green’s paintings demonstrate a careful balance between spontaneity and compositional control. Figures and forms often appear only partially, hovering between recognition and abstraction. Rather than illustrating subjects or narratives, the work explores how meaning, rhythm, and structure can arise through the accumulation, adjustment, and erasure of paint.

Green has exhibited internationally and his work is held in private collections worldwide. Alongside his solo practice, he collaborates with French artist Monsieur Jamin under the shared identity PROOF, an ongoing partnership that explores non-verbal communication through painting and shared studio practice.

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