Exhibition

Holding Form - A solo exhibition by Ben Wakeling

We are pleased to present Holding Form, a solo exhibition by Hackney-based artist Ben Wakeling. The exhibition will showcase a vibrant body of new paintings and works on paper.

Shaped by his work as an art facilitator within NHS mental health services, Wakeling’s practice reflects a close engagement with vulnerability, care and the fragile structures that hold human experience together. These concerns occasionally surface within the paintings themselves, but more often inform the atmosphere in which the work develops.

Looking at Wakeling’s work is a two-fold act. First comes the shock of the image: clashing figures, fractured bodies, and dense layers of colour pressing against the surface. Then comes a slower moment of deciphering, of navigation. A hand or foot might offer a point of orientation from which clusters of bodies begin to separate – individual from individual or, as Wakeling’s titles sometimes suggest, self from self – hovering at the edge of legibility.

Wakeling approaches painting as a space of negotiation rather than resolution. Images surface gradually through layering and revision, with figures emerging briefly before dissolving back into the surrounding field of paint.

This sense of instability is central to his practice. Built through a dual approach that combines hesitant marks with more forceful gestures, the paintings remain open and provisional. Within this process, painting becomes a way of holding fragile states together. Just as care requires patience and sustained attention, Wakeling’s paintings hold form only temporarily, allowing images to remain unsettled and alive within the surface. In this sense, the act of painting becomes both a search and a form of care – an attempt to hold something together, if only for a moment.

 

 

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Bio

Ben Wakeling (b. 1990, UK) is a Hackney-based painter whose work explores the unstable boundary between figuration and abstraction. Shaped in part by his involvement with arts initiatives connected to NHS mental health services, his practice reflects a close engagement with vulnerability, care, and the fragile structures that hold human experience together.

His paintings are developed through an intuitive, process-led approach in which images emerge gradually through layering, revision, and erasure. Rather than working from a fixed composition, Wakeling treats the canvas as a site of ongoing negotiation, allowing forms to surface, shift, and dissolve over time.

Figures appear only partially within his work, often fragmented or obscured, hovering at the edge of recognition. These moments of near-legibility create a tension between presence and disappearance, drawing attention to the act of looking itself. Through hesitant marks, reworked surfaces, and shifting spatial relationships, Wakeling builds compositions that remain open and provisional rather than resolved.

This sensitivity to instability and attention carries into the work not as narrative, but as atmosphere. Painting becomes a space for reflection, focus, and exchange, where meaning develops gradually through the accumulation of decisions made across the surface.

Wakeling’s paintings resist immediate clarity, inviting a slower, more attentive engagement. In this way, painting operates as a process of searching rather than resolution, holding form only temporarily as it emerges and recedes within the surface.

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