Exhibition

The Shape of Light

Group Exhibition

The Shape of Light

A group exhibition exploring light, shadow and the structure of the painted image.

5Exhibiting Artists
17 SeptemberOpening Night
17 OctoberFinal Day
FreeEntry

Exhibition Runs

Thursday 17 September to
Saturday 17 October 2026

Location

Well Hung Gallery
239 Hoxton Street
London N1 5LG

About the Exhibition

Light as Structure

The Shape of Light brings together five painters whose distinct practices meet through a shared sensitivity to sunlight, shadow, colour and constructed space.

The exhibition uses light as a curatorial thread rather than a fixed subject. Across the selected works, sunlight falls across walls, floors, figures, objects and architectural surfaces, altering how each space is seen and felt. It sharpens edges, flattens façades, divides interiors, intensifies colour and gives ordinary scenes a heightened sense of stillness or tension.

Shadow carries equal importance. Rather than appearing simply as the absence of light, it becomes a form in its own right: a shape that can imply presence, anchor a figure, interrupt a room or give weight to an otherwise quiet image.

Moving between figure, interior, still life and architecture, the exhibition looks at how painters use light not only to illuminate a subject, but to structure one. For some artists, this appears through hard-edged geometry and cast shadow. For others, it emerges through domestic space, emotional presence, colour, atmosphere and the relationship between a figure and the room around it.

Together, the works create a focused conversation around the physical and emotional charge of sunlight: how it lands, divides, warms, conceals and reveals, and how it turns the everyday into something carefully constructed.

Exhibiting Artists

Five Distinct Approaches

Ellis King

Ellis King brings a figurative and psychological register to the exhibition. Her paintings centre on the body, selfhood and emotional presence within domestic or intimate settings, with light and shadow often heightening the relationship between figure and room.

Monica Popham

Monica Popham approaches light through architecture and place. Her cropped façades, windows, balconies and sunlit surfaces translate everyday buildings into bold arrangements of colour, shadow and form.

Anna Mac

Anna Mac works across interiors, domestic spaces and everyday scenes, using simplified forms, recurring motifs and flattened colour to create a quiet sense of stillness. Light and shadow help structure rooms, pathways, figures and objects within her carefully composed images.

BrutalWares

BrutalWares brings a harder-edged architectural voice to the exhibition. Drawing on Brutalist structures and concrete forms, the paintings strip away human detail to focus on the relationship between wall, sky, surface and shadow.

Elizabeth Power

Elizabeth Power offers a looser and more painterly counterpoint. Her interiors and still lifes use heightened colour, pattern and strong sunlight to trace how light moves through domestic space across the hours of a day, giving familiar rooms a warm and heightened sense of time and place.

Browse the Paintings

The Shape of Light

Opening Thursday 17 September, 6–9pm. The exhibition continues until Saturday 17 October 2026. Entry is free.

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Bio

Anna Mac is a painter whose work moves between imagined interiors, domestic spaces, urban scenes and everyday moments. Her paintings are built from simplified forms, flattened planes of colour and carefully balanced compositions, creating scenes that sit somewhere between observation, memory and abstraction.

Often working with recurring motifs such as chairs, rooms, pathways, figures and architectural fragments, Mac uses familiar subjects as a way to explore stillness, solitude and the quiet emotional charge of everyday spaces. Objects and figures are reduced to their essential forms, allowing colour, light and composition to take precedence over detail.

Light and shadow play an important role in her visual language. Blocks of tone divide rooms, paths, walls and surfaces, while cast shadows help anchor figures, furniture and architectural elements within the image. Her use of bold, earthy colour creates a sense of warmth and calm, with each painting carefully balanced between structure and atmosphere.

Particularly drawn to architectural forms and spatial arrangements, Mac’s work often shifts between interior and exterior space. A room, street, pathway or garden can become a set of abstract shapes, with perspective, colour and light used to create images that feel both recognisable and quietly removed from the everyday.

Anna Mac has taken part in numerous group exhibitions and presented her debut solo exhibition, Inside Out, in November 2021.    

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