Exhibition

The Shape of Light

Group Exhibition

The Shape of Light

A group exhibition exploring light, shadow and the structure of the painted image.

5Exhibiting Artists
17 SeptemberOpening Night
17 OctoberFinal Day
FreeEntry

Exhibition Runs

Thursday 17 September to
Saturday 17 October 2026

Location

Well Hung Gallery
239 Hoxton Street
London N1 5LG

About the Exhibition

Light as Structure

The Shape of Light brings together five painters whose distinct practices meet through a shared sensitivity to sunlight, shadow, colour and constructed space.

The exhibition uses light as a curatorial thread rather than a fixed subject. Across the selected works, sunlight falls across walls, floors, figures, objects and architectural surfaces, altering how each space is seen and felt. It sharpens edges, flattens façades, divides interiors, intensifies colour and gives ordinary scenes a heightened sense of stillness or tension.

Shadow carries equal importance. Rather than appearing simply as the absence of light, it becomes a form in its own right: a shape that can imply presence, anchor a figure, interrupt a room or give weight to an otherwise quiet image.

Moving between figure, interior, still life and architecture, the exhibition looks at how painters use light not only to illuminate a subject, but to structure one. For some artists, this appears through hard-edged geometry and cast shadow. For others, it emerges through domestic space, emotional presence, colour, atmosphere and the relationship between a figure and the room around it.

Together, the works create a focused conversation around the physical and emotional charge of sunlight: how it lands, divides, warms, conceals and reveals, and how it turns the everyday into something carefully constructed.

Exhibiting Artists

Five Distinct Approaches

Ellis King

Ellis King brings a figurative and psychological register to the exhibition. Her paintings centre on the body, selfhood and emotional presence within domestic or intimate settings, with light and shadow often heightening the relationship between figure and room.

Monica Popham

Monica Popham approaches light through architecture and place. Her cropped façades, windows, balconies and sunlit surfaces translate everyday buildings into bold arrangements of colour, shadow and form.

Anna Mac

Anna Mac works across interiors, domestic spaces and everyday scenes, using simplified forms, recurring motifs and flattened colour to create a quiet sense of stillness. Light and shadow help structure rooms, pathways, figures and objects within her carefully composed images.

BrutalWares

BrutalWares brings a harder-edged architectural voice to the exhibition. Drawing on Brutalist structures and concrete forms, the paintings strip away human detail to focus on the relationship between wall, sky, surface and shadow.

Elizabeth Power

Elizabeth Power offers a looser and more painterly counterpoint. Her interiors and still lifes use heightened colour, pattern and strong sunlight to trace how light moves through domestic space across the hours of a day, giving familiar rooms a warm and heightened sense of time and place.

Works from the exhibition and installation views will be added as the exhibition develops.

Visit the Exhibition

The Shape of Light

Opening Thursday 17 September, 6–9pm. The exhibition continues until Saturday 17 October 2026. Entry is free.

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Bio

Matt Dosa is an abstract artist based in North London whose practice is informed by a background in graffiti culture and a long-standing engagement with the urban environment. Working across painting, print, sculpture and large-scale murals, his work reflects the energy, tension and visual complexity of the city.

Using spray paint, ink and acrylic, Dosa builds his paintings through layers of accumulated marks, where instinct and process take precedence over pre-determined composition. At a distance, the works often appear controlled and hard-edged. On closer inspection, however, their surfaces reveal a more unstable structure, where paint bleeds, textures transfer and traces of masking remain visible.

This tension between order and disruption is central to Dosa’s practice. His work draws on the experience of navigating urban space, where competing elements are held in a state of precarious balance, and where structure is continually negotiated rather than resolved.

Alongside his studio practice, Dosa has an ongoing engagement with public art. Recent projects include a large-scale mural commissioned by the Mayor of London at Wood Green, developed in collaboration with local communities, and the artwork concept for Universal Music’s BRIT Awards afterparty. Supported by Arts Council funding, his practice has recently expanded into screen printing and sculpture.

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