Exhibition

The painted city

An exhibition of urban landscapes by Michelle Heron, Ryan Everson, Jen Orpin, Mandy Payne, and Andrew Torr

In a world increasingly mediated by technology, where quick consumption and throwaway experiences are the norm, The Painted City brings together five painters who choose to slow down and look closely. Through direct observation and lived experience, they explore the urban environment as a space filled with memory, meaning, and emotional weight.

Each artist offers a grounded, intimate view of the built world. Their paintings draw attention to the quiet presence of shopfronts, rooftops, motorways, housing estates, and overlooked corners of the city. These are not imagined spaces, but real ones — seen, remembered, and reinterpreted through paint.

While their techniques and tones vary, all five artists share a deep connection to place and a belief in painting as a form of witnessing. Michelle Heron’s work captures the character and vulnerability of changing high streets. Jen Orpin’s motorway bridges mark the emotional routes of personal history. Ryan Everson paints familiar architecture with a still, almost meditative atmosphere. Mandy Payne examines the social and political history embedded in concrete, while Andrew Torr finds quiet shifts of light and form in the everyday structure of the city.

Together, their work presents a view of urban life that is not flashy or idealised, but human, emotional, and honest. The Painted City is about the way we inhabit our surroundings and how those surroundings, in turn, inhabit us.

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Bio

Skeleton Cardboard (aka “Skel”) is an anonymous street artist based in Hackney whose work first appeared across the walls of Shoreditch. He became known for his expressive cardboard cutouts and spray-painted skeletons, which are playful yet pointed, mixing humour with a sharp critique of modern life.

Inspired by a trip to Mexico and the bold, festive imagery of Día de los Muertos, Skel began crafting his trademark skeletal figures in simple, accessible materials, relying on spontaneity rather than polished technique. His style combines a naïve, almost childlike charm with tight, sophisticated design. Skulls, abbreviations and symbols collide to comment on consumerism, the mundanity of daily existence and the strange beauty that emerges from urban chaos.

What makes his work distinctive is the way he merges dark themes of morality and mortality with wit and a sense of play. His art feels inclusive, sparking smiles from children who see dancing skeletons while also giving adults pause with tongue in cheek commentary on everyday life.

Well Hung Gallery was the first to exhibit Skeleton Cardboard’s work, and since then he has gone on to gain recognition on an international stage, showing in respected institutions such as the Saatchi Gallery among others. Despite this wider acclaim, his work has retained the raw, unscripted energy that first caught the public’s attention on the streets of East London.

View all available artwork for sale here

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The Painted City

The Painted City exhibition Five contemporary painters explore the emotional terrain of the urban landscape In a world increasingly mediated by technology, where quick consumption and throwaway experiences are the norm, The Painted City brings together five painters who choose to slow down and look closely. Through direct observation…

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