Well Hung

Well Hung – Bespoke Picture Framing and Urban Art Gallery in London

Well Hung is a bespoke picture framing studio and contemporary art gallery based in the heart of Hoxton, East London. Our gallery showcases the best in urban, street, and contemporary art, with regular exhibitions that highlight both emerging and established talent.

With our in-house framing workshop and fine-art printing studio, we offer high-quality custom solutions for artists, collectors, businesses, and galleries. From limited edition prints to original works, our team brings decades of experience to every project — combining technical skill with a passion for presentation.

Whether you're visiting to discover new artists or need expert framing advice, Well Hung is proud to deliver craftsmanship, creativity, and exceptional value.

 

 

Current Exhibition

Proof

PROOF
James Green × Monsieur Jamin
19 February – 21 March 2026

Well Hung Gallery
239 Hoxton Street, London N1 5LG

Well Hung Gallery is pleased to present PROOF,

PROOF brings together the practice of James Green (UK) with a series of large-scale collaborative works created with Monsieur Jamin (FR) during shared studio sessions in the UK and France. While their independent practices remain distinct, both artists work within a field of expressive contemporary painting shaped by instinctive gesture, physical engagement, and a resistance to polished resolution. Their approach is driven by intuitive mark-making and direct material experience, allowing form to emerge through process rather than prescription.

PROOF operates as the artists’ shared collaborative identity, under which their joint works are conceived and signed. Although they do not share a spoken language, they work together through a common visual language, with paint as the primary means of communication. Ideas are tested through action rather than discussion, and understanding develops through instinct, rhythm, and visual harmony.

James Green’s practice is rooted in expressive abstraction, working predominantly on unstretched canvas where form evolves through accumulation, adjustment, and restraint. Within PROOF, this instinctive process expands into a shared surface, where authorship becomes fluid and painting functions as a space of negotiation and exchange. Together, these works foreground painting as a site of encounter, material dialogue, and sustained attention.

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