Exhibition

The painted city

An exhibition of urban landscapes by Michelle Heron, Ryan Everson, Jen Orpin, Mandy Payne, and Andrew Torr

In a world increasingly mediated by technology, where quick consumption and throwaway experiences are the norm, The Painted City brings together five painters who choose to slow down and look closely. Through direct observation and lived experience, they explore the urban environment as a space filled with memory, meaning, and emotional weight.

Each artist offers a grounded, intimate view of the built world. Their paintings draw attention to the quiet presence of shopfronts, rooftops, motorways, housing estates, and overlooked corners of the city. These are not imagined spaces, but real ones — seen, remembered, and reinterpreted through paint.

While their techniques and tones vary, all five artists share a deep connection to place and a belief in painting as a form of witnessing. Michelle Heron’s work captures the character and vulnerability of changing high streets. Jen Orpin’s motorway bridges mark the emotional routes of personal history. Ryan Everson paints familiar architecture with a still, almost meditative atmosphere. Mandy Payne examines the social and political history embedded in concrete, while Andrew Torr finds quiet shifts of light and form in the everyday structure of the city.

Together, their work presents a view of urban life that is not flashy or idealised, but human, emotional, and honest. The Painted City is about the way we inhabit our surroundings and how those surroundings, in turn, inhabit us.

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Bio

Michelle Heron is a British painter whose work captures the quiet poetry of overlooked places—independent shopfronts, suburban streets, and corners of the high street that are slowly disappearing. Working in a realist style with acrylic, she documents these fading spaces with warmth, precision, and a deep sense of memory.

Her piece for Revival depicts a strange, semi-forgotten storefront discovered in South Ealing, West London—a plumbing and bathroom supply business with a cluttered storeroom overtaken by nature. “It wasn’t abandoned,” she writes, “but looked it.” The tension between neglect and life—between decay and persistence—makes the piece quietly haunting.

Michelle’s work is influenced by Edward Hopper and George Shaw for their use of colour and light to elevate the everyday. Her paintings evoke nostalgia, transience, and our personal connections to place. Though she now lives and works in rural Lincolnshire, her subject matter often returns to the London streets she once called home.

Michelle has exhibited widely, including at the Royal Academy Summer Exhibition, The Lynn Painter-Stainers Prize, the Royal Society of British Artists, and the John Ruskin Prize (twice as a finalist). In 2023, she received the Regional Prize at the ING Discerning Eye, as well as awards from Artist Support Pledge and Jackson’s.

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The Painted City exhibition Five contemporary painters explore the emotional terrain of the urban landscape In a world increasingly mediated by technology, where quick consumption and throwaway experiences are the norm, The Painted City brings together five painters who choose to slow down and look closely. Through direct observation…

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